By Carrie Noland
In Agency and Embodiment, Carrie Noland examines the ways that tradition is either embodied and challenged in the course of the corporeal functionality of gestures. Arguing opposed to the constructivist metaphor of physically inscription dominant given that Foucault, Noland keeps that kinesthetic adventure, produced by way of acts of embodied gesturing, areas strain at the conditioning a physique gets, encouraging adaptations in cultural perform that can't rather be defined.
Drawing on paintings in disciplines as diversified as dance and stream idea, phenomenology, cognitive technological know-how, and literary feedback, Noland argues that kinesthesia―feeling the physique move―encourages test, amendment, and, now and then, rejection of the regimen. Noland privileges corporeal functionality and the sensory event it offers on the way to give you the chance past constructivist theory’s lack of ability to provide a resounding account of enterprise. She observes that regardless of the effect of social conditioning, people proceed to invent wonderful new methods of changing the inscribed behaviors they're known as directly to practice. via lucid shut readings of Marcel Mauss, Maurice Merleau-Ponty, invoice Viola, André Leroi-Gourhan, Henri Michaux, Judith Butler, Frantz Fanon, Jacques Derrida, and modern electronic artist Camille Utterback, Noland illustrates her provocative thesis, addressing problems with hindrance to students in severe thought, functionality stories, anthropology, and visible studies.
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Additional resources for Agency and Embodiment: Performing Gestures Producing Culture
25 However, even the brief encyclopedia entry testiﬁes to the fact that Mauss had achieved an understanding of yoga as more than mere words: he knew that this religion, as described in the Yoga Sutras and Upanishads, involves a belief system transmitted through written texts and verbal formulas (collective representations), and through bodily practices, such as controlled breathing and held postures, capable of harnessing physical energy for spiritual goals. The impact of Yoga philosophy on Mauss should not be underestimated.
The infant who “rides on the hip [à califourchon sur la hanche]” has greater physical intimacy with the mother; there are thus psychosexual implications to this fundamentally kinetic event: “It seems as though here”—in the case of the child held at the hip—there are born psychic states buried in our infancy. ],” Mauss’s sentence trails off. The implication is that a technique of the body produces as its corollary particular experiences of the body of the other as well; models of intersubjectivity and a sense of one’s sexuality could very easily be traced back to techniques of this sort.
Mauss’s sentence trails off. The implication is that a technique of the body produces as its corollary particular experiences of the body of the other as well; models of intersubjectivity and a sense of one’s sexuality could very easily be traced back to techniques of this sort. In short, contact with the other is what establishes our capacity for interoceptive experience in the ﬁrst place. In an essay devoted to Merleau-Ponty that sheds considerable light on Mauss as well, Judith Butler has meditated on the way the birth of the self as capable of interoception is predicated by Merleau-Ponty on contact, through touch, with the other.
Agency and Embodiment: Performing Gestures Producing Culture by Carrie Noland